The Paris Review #228

The Paris Review #228 Spring 2019

The Paris review is a quarterly English language literary magazine, established in Paris 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton. An editorial statement, penned in the inaugural issue by William Styron, stated the magazine's aim:
"The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind of merely removing criticism from the dominating place it holds in most literary magazines. […] I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good."
In this issue:
Carl Phillips on the Art of Poetry: “Conformity bores me, as does predictability. I want stability in my life, sure, but on my own terms. And I don’t go to poems for that stability.” Lawrence Ferlinghetti on the Art of Poetry: “I’m not at all interested in talking about method. You might say it’s a stage secret. That’s what the poet thrives on.”
Fiction by Nick Fuller Googins, Peter Orner, Isaac Bashevis Singer, J. Jezewska Stevens, Souvankham Thammavongsa, Hebe Uhart, and Kate Zambreno.
Poetry by Kaveh Akbar, John Ashbery, Malachi Black, Franny Choi, John Lee Clark, Eduardo C. Corral, Taylor Johnson, Bhanu Kapil, Philip Metres, Natalie Scenters-Zapico, Evie Shockley, Danez Smith, Patricia Smith, Brandon Som, James Tate, and Monica Youn.
Nonfiction by Sarah Manguso. A portfolio by Francesca DiMattio, with an essay by Major Jackson.

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