Sonic Flux

Sonic Flux Sound, Art, and Metaphysics Christoph Cox

From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this "sonic flux." Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.
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Specificaties

ISBN
9780226543178
Uitgever
The University of Chicago Press
Druk
1e
Datum
07-12-2018
Taal
Engels
Bladzijden
272 pp.
Bindwijze
Paperback
Genre
Kunsttheorie/geschiedenis

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