Raphael, Durer, and Marcantonio Raimondi

Raphael, Durer, and Marcantonio Raimondi Copying and the Italian Renaissance Print Lisa Pon

In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed.
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Specificaties

ISBN
9780300096804
Uitgever
Yale University Press
Druk
1e
Verschenen
01-01-2004
Taal
Engels
Bladzijden
224 pp.
Bindwijze
Hardcover
Genre
Nederlandstalige literatuur

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