Wagner and the Art of the Theatre

Wagner and the Art of the Theatre Patrick Carnegy

The production of Wagner's operas is fiercely debated. In this groundbreaking stage history Patrick Carnegy vividly evokes the-often scandalous-great productions that have left their mark not only on our understanding of Wagner but on modern theatre as a whole. He examines the way in which Wagner himself staged his works, showing that the composer remained dissatisfied with even the best of his productions. After Wagner's death the scenic challenge was taken up by the Swiss visionary Adolphe Appia, by Gustav Mahler and Alfred Roller in Vienna, and by Otto Klemperer and Ewald Dulberg in Berlin. In Russia the Bolsheviks reinvented Wagner as a social revolutionary, while cinema left its indelible imprint on the Wagnerian stage with Eisenstein's Die Walkure in Moscow in 1940. Hitler famously appropriated Wagner for his own ends. Patrick Carnegy unscrambles the interaction of politics and stage production, describing how post-war German directors sought a way to bury the uncomfortable past. The book concludes with a critique of the iconoclastic interpretations by Patrice Chereau, Ruth Berghaus, and Hans-Jurgen Syberberg.
€44,99

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Specificaties

ISBN
9780300106954
Uitgever
Yale University Press
Druk
1e
Verschenen
01-01-2006
Taal
Engels
Bladzijden
480 pp.
Bindwijze
Hardcover
Genre
Nederlandstalige literatuur

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