justin -charles university, prague- quinn

'Gonzo brilliance ... unique and highly entertaining' Financial Times'Revelatory reading' Adam Tooze, author of Crashed'After reading Quinn Slobodian'

Voor de fans van Kristin Hannah, Anthony Doerr en Elizabeth Jane HowardIn het interbellum groeien de drie Seagravekinderen – Cristabel, Florence en Di

What does history look like without 'civilisations'? Josephine Quinn calls for a major reassessment of the West and the concepts that define it. Th

Culture is not an industry argues that art and culture in the UK need to renew their social contract and re-align with the radical agenda for a more e

Help! Quinn en Aaron moeten binnen één dag allebei een voldoende halen, anders mogen ze geen video’s meer maken! Probleem: het internet is uitgevalle

In a revelatory dispatch from the frontier of capitalist extremism, an acclaimed historian of ideas shows how free marketeers are realizing their ulti

'Generous, filling, deeply satisfying, funny-sad, every page crammed with life and experience. She is one of those writers who has her finger on human

In elke crisissituatie en bij elke uitdaging creëer je een frequentieverschuiving, waardoor je innerlijke zelf zich gaat afstemmen op de beste versie

This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspec

This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspec

Social Groups in Action and Interaction reviews and analyzes the human group as it operates to create both social good and, potentially, social harm.

After running away from the workhouse and pompous beadle Mr Bumble, Oliver Twist finds himself lured into a den of thieves peopled by vivid and memora

‘Lewinsky laat met pure, bruisende creativiteit zien hoe fataal en onverbeterlijk de mens steeds weer zijn innerlijke duivel de vrije loop laat.’ – F

As the interminable case of 'Jarndyce and Jarndyce' grinds its way through the Court of Chancery, it draws together a disparate group of people: Ada a

The 1854 text, edited by Sylvère Monod, is accompanied here by explanatory footnotes. Contextual pieces by critics and theorists of Dickens’ time brin